俞关佑1947年出生于杭州一个弥漫着文化气息的书香之家，父亲崇尚孔孟之道，在家庭文化的熏陶中，他自幼就喜欢传统文化，尤其喜欢绘画。青少年时期，俞关佑曾得到诗人艾青、收藏家王季迁等文化名人的教诲。从杭州水利学院大学毕业之后，俞关佑本打算像父亲一样沉浸于文化世界，做一个文化人，可是，1968年至1975年，俞关佑响应国家号召，积极投身于火热的社会建设之中。俞关佑被分配到刘家峡水电部工作，那些年，他一边兢兢业业地工作，一边因酷爱绘画而引起关注，先后得到常书鸿、关山月、黎雄才、朱乃正、赵正一等艺术家的指授。在诸多艺术大家耳提面命的教导下，俞关佑进步很快，既打下了坚实的笔墨基础，也开拓了艺术视野。后来，俞关佑赴日本东京艺术学院深造，80年代定居香港，现为艺术家同盟会会员、中国黄宾虹艺术研究会会员、香港汉唐书画院院长……

俞关佑先后在很多国家和地区举办过展览，很多作品或出版发行或被媒体报道转载，好评如潮。当然，俞关佑的作品也成为收藏者眼中的瑰宝、成为各家拍卖行的热门。他本人因其美轮美奂的泼彩被社会大众誉为“当代泼彩之绝笔”。与荣誉相比，最让俞关佑值得骄傲的事，莫过于他的作品。每一幅作品都带着丰富的内涵，有困惑、迷茫，也有喜悦、陶醉，每一幅作品也都似若默默地倾诉着缕缕不绝的心语，静静地表达着情感跌宕的人生。于是，笔者窥豹一斑，尝试着解析俞关佑的艺术面貌。

“多彩气象，苍茫大意”；“张大千的幻化世界”；“色彩的海洋、缥缈的仙境”……诸如此类留言，不胜枚举，苛刻挑剔的观众丝毫没有吝惜溢美之辞。这些描绘确实凸显了俞关佑泼彩的视觉美感，可是，如果把俞关佑的泼彩仅仅归结为视觉感观，显然不够准确，或者说不够全面。那么，作为一名专业的艺术评论工作者，笔者则认为：俞关佑的泼彩是艺术表象中的抽象、是视觉形式下涌动的情感、是具象之中意的精神，宛如一座横亘于当代画坛峻拔而浑厚的高山，孕育着博大深邃的文化内涵，是那么沉静、那么肃穆，又是那么葱茏。

如果从艺术形式方面讨论俞关佑的泼彩，可以发现，俞关佑确实与张大千有异曲同工之妙，比如雄奇壮丽的阔美、酣畅淋漓地彩墨交融，以及具象与意象的变幻、浓淡虚实的相融相生等等视觉感官，俞关佑完全可以做到与张大千无缝对接。可是，除了张大千泼彩的形式美感，俞关佑还有着自己的独特，比如对细节的刻画，光影、透视、明暗、造型，他都能恰到好处，显得更逼真，更传神；再比如在大面积色块中，俞关佑也显现出非同寻常的表现力。他那挥洒自如的笔触，仿佛不着一字，却尽得风流，他那大胆而灵变的用色，似若不着一笔，韵致却精彩四溢。远观，境界宏阔而直达本心，细品，清脱纯净而高古脱尘，色彩与笔墨的碰撞，空而不虚，寂而不灭，简而能远，淡而有味，画面给人一种“尽精微，致广大，而尽精微却很明快，致广大却很秀润”的审美体验，徜徉其间，如清风拂面，轻轻松松，流连其中，似秋水视底，爽爽朗朗。

纵览俞关佑的泼彩，可以发现，俞关佑善于以精微之笔刻画具象，以豪放之笔渲染意象，精细处，一丝不苟而活泼灵动，豪放处，尽情敷色而高旷辽阔，同时，他也善于通过微妙的笔触进行具象与意象之间的过渡，笔道中含着阴阳，色彩中藏着虚实，让具象与意象交相辉映，从而使眼中之景与心中之境神遇而迹化，构建成宇宙八荒、万象阴霾尽收眼底的视觉力量，给人一种“定是人为，而浑然天成”的艺术境界。这种境界的表达不再是张大千晚年变法之后，受身体的影响，或受造型、光影、透视欠缺的影响，而给人一种都好、都美，却总有一点不尽兴的阻塞感，俞关佑更不是传统意义上的文人山水的样式，而是一种更能驾驭微妙，更能表达情感的状态，放得开、收得住，很有现代风、很有时代感，体现出新时代的新气象，契合了当代大众的审美感受。当然，笔者不是说俞关佑一定比张大千高明，然而，俞关佑确确实实在张大千的基础上往前迈了一步。

再看俞关佑的泼彩技法。俞关佑常常通过色块之间的泼、染、积、融取代墨的任意流动和晕染效果，以色差、色温、色调的对比关系去调节画面的节奏和韵律，让大片色彩取代或抑制墨韵所占的比例，呈现出五彩斑斓的效果，从而使传统审美单一墨韵为主的独奏，转为以色彩为主的交响。当然，从俞关佑的泼彩中，还可以看到，他通过色彩的自然晕染去表现流动的色调，并以色彩所形成的大片冲融，作为整幅作品的中心，作为画面的焦点，让大面积色调呈现出似动而静的浩瀚空间，给人一种溢于画外的视觉张力。显然，石青、石绿、朱砂等石色颜料之间的关联，俞关佑已经纯熟于手底，形成肌肉的记忆，色彩与墨色交融方法，他也熟烂于心，自由生发，妙趣横生。心胸与心象通过手中之笔传输于色彩，他有的放矢地处理各种介乎于具象与抽象之间的变化关系，有时看似无笔，而胜却有笔，有时以色为形，以色写色，却又充盈着色彩淋漓、元气生发的格调。想必，那是对造型、光影、透视、色彩等新时代艺术表现技法的高度驾驭能力，也是审美意趣与心性情感的高度融合。

事实上，俞关佑的泼彩还具有很强的现代气息。俞关佑早年跟随常书鸿、朱乃正学习的是典型油画用色技法；跟随关山月、黎雄才学习的是典型的中国画的笔墨意趣；随后，他到日本深造，学习的则是唯美主义的用色方法，人到中年，俞关佑身处百花齐放的艺术时代，西方由古典走向现代，中方由传统走向多元，所以，当他立志把“泼”、“彩”作为艺术的主题，并付诸追求的目标时，他倾其全力进行融会贯通，他上下求索以达完美。

首先他依仗过去所学、所感、所想，开始着眼于中国传统笔墨。他顺着李可染上追黄宾虹、顺着齐白石取法吴昌硕，并取法乎上，探索墨分五彩的笔墨表达方式，然后，他把西方油画的色彩、日本唯美主义的用色方法，以及中国画的墨分五彩统统笼于笔下，进行情景合一的酝酿。与此同时，他在不自觉之间把中国画的具象与意象，把西方油画的写实与抽象结合起来，让具象、意象、写实、抽象在微妙的色彩中各得其真，各得其所，从而使他的泼彩世界晓烟交碧，晨光欲动，骄阳初蒸，崇山如翠。画面之中，具象、意象、写实、抽象，乍合乍离，或聚或散，物态欣愉，神妙如动，既有着中国传统文化与中国山水审美的品位，又有着西方表现主义的浪漫情怀、印象主义的丰富和谐；既带着浓郁的传统文化熏染出来的意境、空间与趣味，又有着向现代审美形态发展的前瞻性。呈现出雄阔、壮美、浑厚、博大、精深的艺术境界，彰显着胸次、学养、才情、功力各臻其妙的艺俞关佑的泼彩是传统绘画的拓展，也是对张大千艺术的完善。当俞关佑把传统笔墨的墨分五彩延展为五彩缤纷的世界时，当他立足于张大千而进行更加深入的探索时，他的泼彩就不仅仅停留在传统的“品”，或者张大千“观”的范畴，更多的则是心绪遐想中的 “游”和“居”。纵览俞关佑的泼彩，可以感受到，他追求的远观、旷达，追求的精微、细致，同时，也在追求感受、体验，换言之，俞关佑在追求艺术的整体性之时，又锲而不舍地去关照当代人的审美情趣。由于，当代大众受快节奏生活的影响，疲惫、焦虑始终挥之不去，大众精神上需要精致的“品”、旷达的“观”，然而，潜意识里一直在渴望“游”，期待身心自由的“居”，因为，游能心旷神怡，居能神有所归。俞关佑似若无意，然而，他的泼彩却恰恰触及了当代大众内心深处最敏感的区域。瞩目俞关佑的泼彩，千里之远尽出奇，万里山水得其妙，静静地待他的作品前，目光随着色彩的变幻而关照内心，心境则随着意境之妙而悠闲至极，仿佛身居世外桃源之中，又仿佛孤舟飘于茫茫湖水之间，心泯于超脱，情化于澄澈，流连、抒怀、神游、发呆，目之所及，心神澄澈，物我两忘。置身其间，飘逸的遐想油然而生，在妙境中养心，恬淡中悟道。岂是“品”、“观”可以悟得真味？又岂是“游”、“居”可以说得明白？

一切触及灵魂的艺术都是渐变、渐进、渐悟而升华的精彩。在艺术的长河中，俞关佑扎扎实实探索，认认真真耕耘，几十年以来，从一笔一画学习古圣先贤到情归泼彩，从“师古、师心、师造化”到化为己有而卓然自立，俞关佑从不被浮云遮眼、蔽目，更不为趋利刻意讨好、奉迎，而是以真功为本，以纯粹为艺术宗旨，积学厚养，融会贯通，从而培育出独具一格的泼彩姿貌，着实让人感动，于是，笔者由感入心，情不自禁，滔滔不绝。（文/桑干）

Yu Guanyou was born in Hangzhou in 1947, a family of books filled with the atmosphere of culture. His father advocated the way of Confucius and Mencius. Under the influence of family culture, he has been fond of traditional culture since childhood, especially painting. As a teenager, Yu was taught by cultural celebrities such as poet Ai Qing and collector Wang Jiqian. After graduating from Hangzhou University of Water Resources, Yu Guanyou planned to immerse himself in the cultural world and become a cultural person like his father. However, from 1968 to 1975, Yu Guanyou responded to the call of the state and actively devoted himself to the hot social construction. Yu Guanyou was assigned to work in the Liujiaxia Ministry of Water and Power. In those years, he worked conscientiously and attracted attention from his love for painting. He was directed by Chang Shuhong, Guan Shanyue, Li Xiongcai, Zhu Naizheng and Zhao Zhengyi successively. Under the guidance of many artistic artists, Yu Guanyou made rapid progress, which not only laid a solid foundation for brush and ink, but also broadened his artistic vision. Later, Yu Guanyou went to Tokyo Art Institute in Japan for further study. He settled in Hong Kong in the 1980s. Now he is a member of Artists Alliance Association, a member of China Huang Binhong Art Research Association, and the president of Hong Kong Han and Tang Painting Academy.

Yu Guanyou has held exhibitions in many countries and regions, and many of his works have been published or reprinted by media reports, with high praise. Of course, Yu Guanyous works have also become a treasure in the eyes of collectors, become a hot auction house. He himself was praised by the public as "the best pen of contemporary color" because of his magnificent color. Compared with honor, the most important thing Yu is proud of is his works. Each work has a rich connotation, confusion, confusion, joy, intoxication, each work is also like to silently pour out the continuous heart language, quietly expressing the emotional ups and downs of life. Therefore, the author had a glimpse of the leopard and tried to analyze the artistic appearance of Yu Guanyou.

"Colorful weather, careless"; "the unreal world"; "sea of colors, ethereal wonderland"... and such messages, so on, critical audience without generous praise. These descriptions do highlight the visual beauty of Yu Guanyous painting, but if Yu Guanyous painting is only attributed to visual perception, it is obviously not accurate, or not comprehensive enough. So, as a professional art criticism workers, the author thinks: YuGuanYou splash color is the abstract, is the visual form of emotion, is the concrete of the spirit, just like a stand in contemporary painting world and vigorous mountains, pregnant with the profound cultural connotation, is so quiet, so solemn, is so verdant.

If discussed from the aspect of art form YuGuanYou pour the color, can be found, YuGuanYou really have the same thing, such as magnificent magnificent broad beauty, fully ink blend, and concrete and image changes, shade of harmony and so on visual senses, YuGuanYou can do with chang seamless docking. However, in addition to the form of beauty of Zhang Daqian, Yu Guanyou also has his own unique, such as the depiction of details, light and shadow, perspective, light and shade, modeling, he can be just right, appear more realistic, more vivid; for example, in a large area of color block, Yu Guanyou also shows extraordinary expression. His free brush strokes, as if not a word, but all romantic, his bold and clever color, if not a pen, rhyme is wonderful overflow. Far, realm vast and direct to the heart, fine product, pure and ancient, color and ink collision, empty but not empty, silent and not out, simple and far, light, taste, picture give a person a kind of "do fine, to the broad, and fine is very lively, to the broad is very beautiful" aesthetic experience, wandering, such as the breeze stroke, easily, linger among them, like autumn water, cool lang lang.

Overview YuGuanyou pour color, can be found, YuGuanYou is good at with subtle pen depict concrete, with bold rendering image, fine, meticulous and lively clever, bold, to apply color and high kuang, the vast, at the same time, he is also good at through subtle strokes and the transition between image, writing with Yin and Yang, hidden in the color, let the concrete and the image, make the scene of the eyes and the heart and trace, build into the universe of eight wilderness, vientiane haze panoramic view of visual power, give a person a kind of "must be human, and natural" artistic realm. The expression of this state is no longer Zhang Daqian later reform, by the influence of the body, or the influence of modelling, light, perspective, and give a person a kind of good, beautiful, but there is always a little obstruction, YuGuanYou more not in the traditional sense of the literati landscape style, but a more subtle, more can express emotional state, open, hold, very modern wind, time, reflect the new atmosphere of the new era, fit the aesthetic feeling of the contemporary public. Of course, the author is not saying that Yu Guanyou must be better than Zhang Daqian, however, Yu Guanyou really took a step forward on the basis of Zhang Daqian.

Look at Yu Guanyous colorful techniques. YuGuanYou often through the color block between splash, dye, product, melt instead of any flow and dizzy dye effect, with the difference of color, color temperature, color contrast to adjust the rhythm and rhythm, let large color replace or inhibit the proportion of ink rhyme, presents the colorful effect, so that the traditional aesthetic single ink rhyme is given priority to solo, to mainly color symphony. Of course, from Yu Guanyous color, you can also see that he through the natural color of the flowing tone, and with the color of the large fusion, as the center of the whole work, as the focus of the picture, let the large area of tone presents a dynamic and static vast space, give a kind of visual tension beyond the picture. Obviously, the correlation between stone green, stone green, cinnabar and other stone pigments, Yu Guanyou has been pure and proficient at the bottom of the hand, forming the muscle of the memory, color and ink blending method, he is also familiar in the heart, free growth, full of fun. The mind and the mind in the hand, he deals with all kinds of changes in the relationship between the concrete and abstract, sometimes seemingly without pen, but there is a pen, sometimes with color as the shape, color to write color, but also filled with the style of color and vitality. Presumably, it is to modelling, light and shadow, perspective, color and so onThe high control ability of artistic expression techniques in the new era is also the high integration of aesthetic interest and mental emotion.

In fact, Yu Guanyous splashing color also has a very strong modern atmosphere. In his early years, Yu Guanyou followed Chang Shuhong and Zhu Naizheng to learn typical oil painting color techniques, and the typical Chinese painting, then he went to Japan to study in the aestheticism of color, middle age, Yu Guanyou in the art era, the West from classical to modern, China from traditional to diverse, so when he determined to "pour", "color" as the theme of art, and pursue the goal, he put his best to mastery, he sought up and down to perfect.

First of all, he relied on what he had learned, felt and thought in the past, and began to focus on the traditional Chinese ink. He followed Li Keran to chase Huang Binhong, followed Qi Baishi to take Wu Changshuo, and explored the expression of colorful ink. Then, he put the color of western oil painting, the color method of Japanese aestheticism, and the colorful ink of Chinese painting into the pen, brewing the integration of scenes. At the same time, he unconsciously combined the concrete and image of Chinese painting, the realistic and abstract of western oil painting, so that the concrete, image, realistic, abstract in the subtle colors in their own place, so that his colorful world is blue, the morning light wants to move, the hot sun is steaming, and the mountains are as green. In the picture, concrete, image, realism, abstract, and get together, and get together, objects and wonderful, both of Chinese traditional culture and Chinese landscape aesthetic taste, with the rich and harmonious mood, space and interest, and with the development of modern aesthetic form. It presents a magnificent, magnificent, profound, magnificent artistic realm, highlighting the chest, learning, talent and skill. Yu Guanyous painting is the expansion of traditional paintingIt is also the perfection of Zhang Daqians art. When Yu Guanyou extended the traditional ink points of ink into a colorful world, when he based on Zhang Daqian and made more profound exploration, his color not only stayed in the traditional "product", or Zhang Daqians "view" category, but more is the "swim" and "living" in the mood and reverie. Reviewing Yu Guanyous painting, you can feel that his pursuit of distant view, broad reach, the pursuit of subtle and meticulous, at the same time, he is also in the pursuit of experience and experience. In other words, Yu Guanyou in the pursuit of the integrity of art, and perseverance to take care of the aesthetic taste of contemporary people. Because, the contemporary public is affected by the fast pace of life, exhaustion, anxiety is always lingering, the public spirit needs delicate "product", open "view", however, the subconscious has been eager to "swim", looking forward to the physical and mental freedom of the "house", because, swim can be relaxed and happy, living can return. Yu Guanyou seems to be unintentional, however, his color is just touched the most sensitive area in the heart of the contemporary public. Yu Guanyous color, thousands of miles away, thousands of miles of wonderful, quietly before his works, the eyes with the color changes and take care of the heart, the mood is with the artistic conception and extremely leisurely, as if living in a paradise, andAs if the boat floating in the vast lake, the heart is lost in detachment, feeling in clarity, linger, express, wandering, daze, where the eye and, the heart is clear, I forget things. Place oneself meantime, elegant reverie arises spontaneously, in the wonderful mind, tranquil in enlightenment. Is it "product", "view" can realize the true taste? Is it also "swimming", "living" can be said clearly?

All the art that touches the soul is gradual, gradual, gradual understanding and sublimation of the wonderful. In the long river of art, YuGuanYou solid exploration, conscientious cultivation, for decades, from a painting learning ancient sages to pour color, from "ancient, mind, nature" to become their own and self-reliance, YuGuanYou never be clouds, eye, more for deliberately please, welcome, but with true work, with pure artistic purpose, accumulate learning thick, mastery, to develop a unique splash color appearance, really touched, then, the author by heart, cant help myself, gushing.(Article / Sanggan)

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