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重点推荐——当代国潮艺术家成金城

来源:本站作者:国潮文化时间:2025-01-20

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成金城,笔名金圣,1945年出生于南京,现居住于湖南湘乡。书香世家,名门望族,自幼爱好美术,无师自通。因自身信佛,擅长佛像、山水画创作。佛像擅长观世音菩萨,山水画擅长自作诗。作品远销福建、中南亚等国家和地区。现为湖南养心堂书画院院长。成金城出生于书香世家,名流望族,自幼爱好艺术,无师自通。因自身信佛,擅长佛画、山水画创作。山水画擅长自作诗。坐亦禅,行亦禅,一花一世界,一叶一如来,春来花自青,秋至叶飘零,无穷般若心自在,语默动静体自然。绘画,成为成金城心底最温暖的事。他花开花落、日落月起,研习绘画,期间阅读佛学书籍,加强对佛法理解。他学习佛画从白描开始,接着是佛像度量经(佛像比例),每个佛像比例不尽相同,如要细致研究至少需两年。


成金城在画作中讲究布势,“势”可理解为气势、局势、大势,画人物时,首先找出人物的基本动态线,以确定运动大致方向状态。一幅画也隐含一组动态线,它构成画面的内在旋律,把画面中各个组成部分有机组织在一个运动体系中,是达到“气韵生动”的重要因素。中国画的“置阵布势”即 “远观其势,近观其质”。成金城在形式美上突显笔墨魅力。


Cheng Jincheng, his pen name Jin Sheng, was born in Nanjing in 1945 and now lives in Xiangxiang, Hunan Province. Literary family, famous family, since childhood love art, no self-taught. Because of his own belief in Buddha, he is good at Buddha statues, landscape painting creation. Buddha is good at Avalokitesvara Bodhisattva, and landscape painting is good at poetry. The works are exported to Fujian, central and South Asia and other countries and regions. Now he is the president of Hunan Yangxin Tang Painting and Painting Academy. Cheng Jincheng was born in a scholarly family, celebrities and celebrities, since childhood, no teacher. Because of his belief in Buddha, he is good at Buddha painting and landscape painting creation. Landscape painting is good at writing his own poetry. Sit also Zen, line also Zen, a flower a world, a leaf, spring flowers from green, autumn to leaves, infinite like heart at ease, silent movement body nature. Painting has become the warmest thing in the heart of Cheng Jincheng. His flowers blossomed and sunset. He studied painting, during which he read Buddhist books and strengthened his understanding of Buddhism. He studied the Buddha painting from the plain description, followed by the Buddha measurement (Buddha proportion), each Buddha proportion is not the same, if it takes at least two years to study carefully.

Cheng Jincheng pays attention to the layout in his paintings, and the "potential" can be understood as the momentum, situation and general trend. When drawing the figures, they should first find out the basic dynamic line of the characters to determine the general direction of the movement. A painting also implies a group of dynamic lines, which constitute the internal melody of the picture, and organically organize each component of the picture in a movement system, which is an important factor to achieve "vivid charm". The "formation of the situation" of Chinese painting is "far view of its potential, close view of its quality". Cheng Jincheng highlights the charm of pen and ink on the beauty of form.




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