路豫坤又名（路宇坤），毕业于广播电视大学文学专业，本人自幼隨师学习中国传统国画艺术，几十年来，在中国画的继承 发展 和创新方面进行了不断的追求和探索，並坚持户外实地写生与创作，在现代彩墨国画作品的表现形式上守正创新並形成自己独特的风格，並得到业内专家的好评，本人现被评聘为中华人民共和国国宾礼艺术家，国家高级美术师，全国非物质文化遗产传承人，中央电视台（艺术传承拦目）客座教授，中国楹联学会书研会书画等级培训师，《民族艺术专刋》编委，为传承中国书画艺术，2015年本人创办丹青少年书画艺术培训中心，现已培养青少年书画艺术人才五百余人。

2016年本人参展国画作品（迎春）获得迪拜国家美术馆珍藏奖，2017年本人参展国画作品（艳秋）获得中国诗书画年会一等奖，2022年，路豫坤的国画作品被中国大型拍卖行及权威收藏书籍特别推荐为《中国艺术品软黄金》之荣誉，2023年本人国画作品获得墨池杯全国书画大赛一等奖。

著名书画评论家史峰的点评：  

云霞叠翠岭南风 师古不泥韵时代——记著名画家路豫坤

不得不承认这样一个事实，中国画的东方气韵审美品质在当代画坛的身份，存在迷失的尴尬。许多山水画家因为缺少对中国画意象的精心酝酿，笔墨塑造山水失去了心源注入的情商，让山水画过多介入了油画风景的透视、光影等等写实手法，所以山水画近乎变成了复现自然的呆板，很难从笔墨的气韵中体味到独与天地精神相往来的意象内涵。

但是，在中国画一路落坡的状态里，当代著名画家路豫坤先生，则凭借对传统笔墨品质的执着传承，通过对外师造化，中得心源的磨砺，把中国画处于下坡的创作情景给予根本性的扭转，让中国画重新归位于东方审美的气韵境界，也让一心渴赏正宗中国画的观众，通过他的笔墨酝酿，重新获得了目观清翠，心念清爽的山水意象。正宗山水的笔墨品位，在路豫坤的艺术创作里，成为文化龙脉的一股清流，正本清源，大有建树！

山水创作，一讲究天才，二讲究兴趣，三讲究传承，还需要创新。观赏他的山水作品，四项全能。笔墨如神绘，韵通天才功，如果没有心本性灵的智慧，要把山水画得如此叠翠清爽是绝不可能的。俗笔画山水，是不太敢用大淀黄青的，因为这种接近于饱合的色度，非常容易滑入艳俗的设然状态里，让山水的清雅品质淹没在艳俗之中，毫无建树。

路豫坤先生画山水，则是心怀高远，手执雄才，极致悦目的兰色与青绿饱合，在他的修为调节下，不会显观出一点一毫的艳俗火气，完全经由墨与彩的对冲调和，在悦目的铺陈之中，走向流丽高雅的峰巅。不妨检阅一下当代画坛，除了路豫坤，再也找不到另一位山水家能驾驭饱合色，让山水功入清雅质。

再向前检索，也没有这样的雄才大彩画家，纵然是唐代人崇尚浓墨重彩，但也无法与路豫坤笔墨随迁时代的创造相提并论，因为唐代山水的浓墨重彩是罩染的技法，而路豫坤的大彩山水则是皴笔加点染的精妙。观赏唐代山水的浓墨重彩，是“大色块”的分割，而观赏路豫坤的山水，则是气韵精通于行脉的细致流动，山水不因“色块”而呆板，全因皴笔与点染的机动而成生动。师法造化用大彩，非用这种精致的点染皴法，方可以在宣纸上丰富展示自然的万般气象！他是一位真正进入师法造化，终得心源的大手笔！

云霞叠翠岭南风，师古不泥韵时代。青绿山水，以大青绿最为难修，如今路豫坤先生站在大青绿山水创作领域的时代巅峰，用修为之品，塑造山水之韵，此为丹青大品。他还善于工笔写意花鸟小品，同样色彩铺陈饱合，观感悦目丰韵，梅兰竹菊书卷气，云上山峦秀磅礴，岭南之风，历历在目。他师古求新，因新致变，又在书画艺术教育方面付力深厚，杏坛渡春秋，桃李满天下，所以当为丹青文化传承与重塑的一派大家！

2019年4月29日

Lu Yukun, also known as Lu Yukun, graduated from Radio and Television University, majoring in literature. I learned the art of traditional Chinese painting from my teacher when I was young. For decades, in the inheritance and development of Chinese painting and innovation of continuous pursuit and exploration, and adhere to outdoor field painting and creation, in the form of modern color ink Chinese painting works Shouzheng innovation and form their own unique style, And get the praise of industry experts, I am now being appointed as the People's Republic of China State Guest Artist, National Senior Artist, the national intangible cultural heritage inheritors, CCTV (art heritage block head) visiting professor, Chinese couplets Institute of calligraphy and painting research level trainer, "national art Zhuan" editorial board, for the inheritance of Chinese painting and calligraphy art, in 2015 I founded Dan youth painting and calligraphy art training center, is now training more than 500 young people painting and calligraphy art talents.

In 2016, I participated in the exhibition of Chinese painting (Spring Festival) won the Dubai National Art Gallery Collection Award, in 2017, I participated in the exhibition of Chinese painting (Yan Qiu) won the first prize of Chinese poetry, calligraphy and painting annual meeting. In 2022, Lu Yukun's traditional Chinese painting works were specially recommended by China's large auction houses and authoritative collection books as the honor of "Chinese art soft gold." In 2023, his traditional Chinese painting works won the first prize of the Ink Pool Cup National Painting and Calligraphy Competition.

Comments from the famous painting critic Shi Feng:

On the Famous Painter Lu Yukun;

Have to admit such a fact, Chinese painting aesthetic quality of the oriental spirit in contemporary painting identity, there is lost embarrassment. Many landscape painters because of the lack of Chinese painting image carefully brewing, pen and ink shape landscape lost heart source injection of emotional quotient, Let landscape painting too much involved in oil painting landscape perspective, light and shadow and other realistic techniques, so landscape painting almost become a natural reproduction of the rigid, it is difficult to appreciate from the spirit of ink to the spirit of heaven and earth alone with the spirit of the image connotation.

However, in the Chinese painting all the way down the slope of the state, the contemporary famous painter Mr. Lu Yukun, by virtue of the traditional brush and ink quality of the persistent inheritance, through the external learning from nature, in the heart of the source of the temper, He gave a fundamental reversal to the downhill creative scene of Chinese painting, so that Chinese painting re-located in the realm of oriental aesthetic spirit, but also let the audience who are eager to appreciate authentic Chinese painting, through his ink brewing, regain the clear view of the eyes and the fresh mind of the landscape image. The taste of authentic landscape painting, in Lu Yukun's artistic creation, has become a clear stream of cultural dragon vein, radical reform, great achievements!

Landscape creation, a pay attention to genius, two pay attention to interest, three pay attention to inheritance, but also need innovation. Enjoy his landscape works, four all-around. Ink painting, such as God, rhyme through genius, if there is no wisdom of the nature of the spirit of the heart, to paint the landscape so refreshing Pinnacle is impossible. Popular brushwork landscape, is not too dare to use big lake yellow green, because this close to saturation chroma, very easy to slip into the gaudy supposition natural state, let the elegant quality of landscape submerged in gaudy, no achievements.

Mr. Lu Yukun landscape painting, it is lofty, holding talent, the ultimate pleasing to the eye blue and green saturation, in his repair for the regulation, will not show a bit of gaudy anger, entirely through the ink and color hedge to reconcile, in the pleasing elaboration, to flow elegant peak. May wish to review the contemporary painting, in addition to Lu Yukun, can not find another landscape home can control the full color, so that the landscape work into the elegant quality.

And then forward retrieval, there is no such talent large color painter, even if the Tang Dynasty people advocate thick and heavy colors, However, it cannot be compared with Lu Yukun's creation of brush and ink in the changing times, because the thick ink and heavy color of the landscape in the Tang Dynasty is the technique of overpainting, while Lu Yukun's large color landscape is the delicacy of chapping brush and dyeing.     Appreciating the thick and heavy colors of the Tang Dynasty landscape is the segmentation of "big color blocks," while appreciating Lu Yukun's landscape is the spirit and charm proficient in the delicate flow of the lines and veins. The landscape is not stiff because of "color blocks," but vivid because of the mobility of the chapped brush and dyeing. Learn from nature with large color, not with this exquisite dyeing Cun method, can be in the rice paper rich display of all kinds of natural weather! He is a true master of nature, and finally the source of the heart!

Yunxia Pinnacle Lingnan wind, Shi Gu not mud rhyme era. The green landscape is the most difficult to repair. Now Mr. Lu Yukun stands at the peak of the times in the field of green landscape creation, and shapes the charm of the landscape with the repair of the product, which is the painting product. He is also good at fine brushwork freehand brushwork flower and bird pieces, the same color elaborate saturated, pleasing to the eye charm, Mei Lan Zhu Ju bookish, cloud mountains show majestic, Lingnan wind, vividly. He learned from the ancient and innovated, because of the new change, and in the painting and calligraphy art education pay force deep, Xingtan Du Spring and Autumn Period, students all over the world, so when the painting culture inheritance and remodeling of a group of people!

April 29, 2019

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路豫坤作品

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^{◎Works of Lu Yukun}